by Contemporary Cruising |

https://www.youtube.com/watch?v=HALI8rsOXnM
A Woman For Sale, Marie Karlberg, NYC, 2013

by Contemporary Cruising |


Reverie, Noritoshi Hirakawa, the New Art Dealers Alliance (NADA), New York, 2015

by Contemporary Cruising |


Alexander Hempel at Lars Friedrich, Berlin, 2015

by Contemporary Cruising |

IVO DIMCHEV ON ROTTERDAM SCHOWBURG
Last night I performed Operville – a new work of mine at Rotterdam schouwburg one of the very prestigious and rich theaters in Holland. In the audience there were exactly 13 people.
Dear presenters working for this theAter, obviously the main efforts of your PR goes for promoting the main stage where musicals, ballet companies and large dutch theAter productions are presented. Nobody really cares about the smaller stage /150 sits/ where more experimental and innovative productions take place. Im really grateful for inviting my work , it shows that you have a good taste and balls, and Im also thankful for trusting me , but someone somewhere in your administrative team needs to understand that if this work does not reach a broad young audience which is surely available in bigger cities, presenting the work does not really make sense. Im happy to have job, to earn money by being invited in good theaters, you obviously also have good salaries working for the same theaters…but there are also other important , even more important aspects of our “job” and one of them is spending money and energy on connecting this work with the right audience! You have the money, if you bring the energy as well would be wonderful „heart“-Emoticon

by Contemporary Cruising |


Inhuman, Johannes Paul Raether, Transformella, „Systema identitecturae 1.3 / Cryo Communisat 0.0.1“, Fridericianum, Kassel, 2015